Randolph Scott as Buchanan. |
The Ranown Cycle consists of six Westerns made between 1956 and 1960 that starred Randolph Scott and were directed by Budd Boetticher and written by Burt Kennedy. These films don’t comprise a formal series as Randolph Scott plays a different character in each one. However, they are thematically similar with each protagonist being a loner with a high moral code who isn’t afraid to use his gun. The pictures were shot on a 10-day schedule and typically ran a brisk 70-80 minutes. Some of them were produced by Ranown, a company owned by Randolph Scott and Harry Joe Brown. However, the “Ranown Cycle” is the informal designation for all six films (a seventh Scott-Boetticher effort, Westbound, is sometimes erroneously listed as part of the series).
Made in 1958, Buchanan Rides Alone stars Scott as Tom Buchanan, a cowpoke heading from Mexico to West Texas to start his own spread. His journey takes him through the border town of Agry, where he decides to spend the night. Buchanon heads over to the saloon for a meal, but is confronted there by a loudmouthed young drunkard. After a brief tussle, he pretty much ignores the youth. Yet, shortly after leaving the bar, Buchanan witnesses a young Mexican man running out of the saloon after killing the drunkard in self-defense. When the sheriff’s men start to beat up the young Mexican, Buchanan intervenes to stop it. He gets pummeled for his trouble and thrown into jail.
Yes, that’s Peter Gunn as Carbo. |
It turns out that the dead man was the son of Judge Simon Agry (Tol Avery), a local bigwig with political aspirations. His brother Lew, the town sheriff, shows little interest in dissuading the townsfolk from pushing for a lynching. However, Simon’s right-hand man, Carbo (Craig Stevens), has a better idea. Knowing that the alleged killer’s father is a wealthy rancher, he suggests that Simon exhort $50,000 for the young man’s release. That plan doesn’t sit well with the greedy Lew (Barry Kelley), who has his own plan for getting rich.
Frankly, it’s hard to describe the rambling plot to Buchanan Rides Again. In a 2008 interview, Boetticher admitted he and Burt Kennedy ad-libbed the screenplay (which is credited to Charles Lang). The result is a weak narrative filled with colorful characters and a handful of priceless scenes that are unexpectedly amusing. A perfect example is a trial in the saloon in which the “bailiff” provides these instructions to the jury: “All right. Quiet! Quiet, everybody! Your trial is about to start. Now Jim here is going to pass among you with a tray and the judge wants me to have you put all your glasses in that tray… empty! The judge don’t want no more liquored-up opinion like he had in that last trial.”
As Tom Buchanan, Randolph Scott often seems too amused at the goings-on, with a smile plastered on his face. However, it is refreshing that Buchanan isn’t the brightest cowboy in the world. When he arrives in Agry, he unwisely starts flashing his grub stake money which attracts the sheriff’s attention (and that of a third Agry brother, a wimpy hotel owner). It’s also interesting that Buchanan acts mostly as a catalyst, while the plot revolves around the relationships among the three Agry brothers.
L.Q. Jones delivers a eulogy. |
The film’s best performance belongs to L.Q. Jones, a supporting actor best known as playing the ranch-hand Belden in 25 episodes of The Virginian TV series. Jones later became a producer of the notable “B” movies The Brotherhood of Satan (1971) and A Boy and His Dog (1975), which he also directed. In Buchanan Rides Alone, he plays one of the sheriff’s deputies who forms a bond with Buchanan because they both hail from West Texas. His eulogy for one of his comrades, who is “buried” in a tree, is the film’s highlight.
Buchanan Rides Alone is an above-average Western, but it lacks the intensity and scope of the James Stewart-Anthony Mann oaters made earlier in the 1950s. However, if you’ve seen those pictures, then by all means check out the Scott-Boetticher collaborations. You’ll certainly be entertained.
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