Wolfs review – it’s content, not cinema
Two lone wolf fixers bicker their way through Jon Watts' sparkless action comedy, which wastes the charisma of George Clooney.
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Queer – first-look review
Luca Guadagnino heads on down to Mexico with Daniel Craig and Drew Starkey in his freewheeling take on William S. Burroughs' eponymous novel.
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Harvest – first-look review
Athina Rachel Tsangari's solemn adaptation of Jim Crace's historical novel concentrates on the changing face of a Scottish farming village as the agricultural revolution begins.
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The Room Next Door – first-look review
Pedro Almodóvar makes his English-language feature debut with an adaptation of Sigrid Nunez's What Are You Going Through, starring Julianne Moore and Tilda Swinton as old friends who reunite in a time of crisis.
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Wolfs – first-look review
George Clooney and Brad Pitt play lone wolf fixers accidentally hired for the same job in Jon Watts' slightly repetitive but generally fine crime comedy.
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The Brutalist – first-look review
Adrien Brody is phenomonal in Brady Corbet's sublime three-and-a-half hour drama, as a Jewish architect arrives in post-war America to a hostile new world.
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Baby Invasion – first-look review
Harmony Korine's second feature since starting his creative agency EDGLRD is somehow more shallow and tedious than the last.
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Babygirl – first-look review
Halina Reijn's smart, sexy and darkly funny psychodrama sees Nicole Kidman and Harris Dickinson go toe-to-toe as a CEO and an intern who become embroiled in a complex illicit affair.
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Maria – first-look review
Angelina Jolie has never been better as the legendary opera singer Maria Callas, captured in the final week of her life by Pablo Larraín's elegant biographical drama.
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Beetlejuice Beetlejuice review – squelchy, stripy sequel fun
Burton, Keaton and Ryder turn up the juice and see what shakes loose in a sequel 36 years in the making that manages to deliver plenty of laughs even if it's all a bit chaotic.
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