Film Review: “Little Bites”
Krsy Fox's horror acting chops are on full display, and without her, "Little Bites" might have been a complete disaster
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Film Review: “Clone Cops”
“Clone Cops” is just fun, and honestly, that’s all you can really expect, want and need out of a film that barely passes the hour-and-a-half mark.
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Film Review: “September 5”
"September 5" highlights the frenetic nature of a newsroom during a crisis. It tactfully shows how good and bad decisions happen all the time
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Jeremy Werner’s Best Films of 2024
The Longest Best Films of 2024 list you'll ever read, with some highly controversial picks.
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Film Review: “Nickel Boys”
"Nickel Boys" is a sensory experience that wants us to live this dark chapter of American history, rather than relate to it.
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Film Review: “Get Away”
While "Get Away" is enjoyable, it feels like it could have been way better, especially if Simon Pegg or Edgar Wright had a say in the final product
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Film Review: “Nosferatu”
"Nosferatu" is Eggers best film, so far, as he takes the best components of his prior films, like "The Witch" and "The Lighthouse," to craft a menacing film that Bram Stoker himself would surely be inspired by.
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Film Review: “Babygirl”
If there was ever a need to rejuvenate the erotic thriller genre, "Babygirl" has given us reason that it can be more than just late night trash
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Film Review: “Let’s Start a Cult”
I think I enjoyed “Let’s Start a Cult” more than I normally would because very few studios or artists are willing to take a leap on a pure comedy
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Film Review: “V/H/S Beyond”
While not every short within "V/H/S Beyond" has a sci-fi beat, it maintains the exaggerated style the films have held recently
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