Author: Lillian Crawford

The Japanese filmmaker reflects on the moving experience of working with composer Ryuichi Sakamoto on his final score, for his new drama Monster.

The post Hirokazu Koreeda: ‘Ryuichi Sakamoto and I were a good match’ appeared first on Little White Lies.

Bradley Cooper soars in this lovingly crafted biopic of legendary composer Leonard Bernstein.

The post Maestro review – as heady and bombastic as a golden-age Hollywood musical appeared first on Little White Lies.

A curmudgeonly teacher, a grieving cook and a petulant young student find themselves thrown together for the holidays in Alexander Payne's excellent Christmassy dramedy.

The post The Holdovers review – the most scintillating festive movie in years appeared first on Little White Lies.

Hammer Horror returns with a genderflipped take on Robert Louis Stevenson's iconic novel, starring Eddie Izzard as a leading figure of the pharmaceutical industry with a dark secret.

The post Doctor Jekyll review – gives Christopher Lee and Peter Cushing a run for their money appeared first on Little White Lies.

A new season organised by the BFI in partnership with Thelma Schoonmaker brings many classic Powell & Pressburger films – including new restorations – to the big screen once more.

The post Put on your red shoes and dance: the enduring euphoria of Powell & Pressburger appeared first on Little White Lies.

Ahead of the BFI's landmark Powell & Pressburger retrospective, the legendary film editor speaks about her relationship with Michael Powell, the process of restoring film, and how Powell & Pressburger influenced Killers of the Flower Moon.

The post Thelma Schoonmaker: ‘Powell left a little furnace burning inside of me’ appeared first on Little White Lies.

The pop princess's record-breaking stadium tour comes to the big screen with thrilling results for fans.

The post Taylor Swift: The Eras Tour review – the story of a lifetime appeared first on Little White Lies.