Ross Bonaime - gamefootballmobileanimeiphone.com

‘Spaceman’ Review — Adam Sandler Befriends Giant Spider in Netflix Sci-Fi Film

Adam Sandler gives one of the quieter performances of his career in the Netflix filSpaceman, a drama that has good ideas, but nowhere for them to go.

Twenty years later, Ondi Timoner's new director's cut, DIG! XX,' makes one of the great rock docs and bonkers and brilliant as ever.

35 years after making a splash at Sundance, Steven Soderbergh and David Koepp return with Presence, a formally fascinating take on the ghost story.

Does Insidious: The Red Door have an end-credits scene? Here is you spoiler-free answer.

Michael Mann's 'Ferrari,' starring Adam Driver and Penélope Cruz, is the director's best film since 'Collateral.' Read on for our review.

The Boy and the Heron by Hayao Miyazaki is a testament to the overwhelming creativity and ambitious storytelling that makes him a master.

Sam Esmail's Leave the World Behind, starring Julia Roberts and Mahershala Ali, explores the end of the world in an insular, yet enthralling way.

The Boy Who Lived is a surprisingly optimistic documentary about the stuntperson who was paralyzed after an accident on the Harry Potter set.

The Curse feels like a perfect combination of its three stars' sensibilities—and creates one of the wildest shows of 2023. Read on for our review.

Covering 17 years and 10 albums, 'The Eras Tour' is an incredible testament to Taylor Swift's already gargantuan career.