Flight Risk Review: Mel Gibson’s Low-Budget Thriller Is Your Typical January Movie
Mel Gibson's Flight Risk, starring Mark Wahlberg, is a serviceable but ultimately forgettable January movie. Here's our review.
Why The Oscars Are Completely Wrong About Emilia Pérez (And What You Should Actually Watch)
Crime musical Emilia Pérez scored 13 nominations at the 2025 Oscars, demonstrating just how out of touch the Academy is with marginalized communities.
Why Yuri Sardarov’s Otis Exited Chicago Fire In Season 8
Why did Chicago Fire's Otis leave the show in season 8? Here's the answer and a bunch of context, including what the actor thought about the decision.
Can Companion Become Horror’s First Big Box Office Hit Of 2025?
Jack Quaid and Sophie Thatcher star in upcoming horror movie Companion, but will it beat out the competition at the horror box office?
One Mean Girls Actor Learned About His Casting In The Funniest Way Ever
One of the key actors in Mean Girls was able to immediately quit their retail job after discovering they booked the part in the Lindsay Lohan comedy.
Is Sigourney Weaver’s Ripley In The Alien: Romulus Sequel? Here’s The Truth
Thankfully, it sounds like Sigourney Weaver is not going to appear as a digitally de-aged Ripley in the sequel to Alien: Romulus.
The Oscars Didn’t Even Nominate The Most Inventive Cinematography Of 2024
Nickel Boys earned a much-deserved Best Picture Oscar nomination, but the POV film's groundbreaking cinematography was completely overlooked.
Why Dune: Part Two’s Best Director Oscar Snub Is Crime Against Sci-Fi Cinema
Denis Villeneuve did not receive an Oscar nomination for directing the spectacular Dune: Part Two, and folks, we are appropriately outraged about it.
Star Trek: Section 31 Review: This Discovery Spinoff Film Is B-Movie Trash (In A Good Way)
Star Trek: Section 31 sees the beloved sci-fi franchise lean hard into outrageous, b-movie action ... and it somehow works better than you'd think.
This Startling Box Office Stat Confirms Netflix Is The Modern King Of Hollywood
While the 2024 global box office numbers confirm Netflix is the current dominant force in Hollywood, the theatrical market is still important.