{"id":150964,"date":"2024-12-16T11:00:00","date_gmt":"2024-12-16T11:00:00","guid":{"rendered":"http:\/\/gamefootballmobileanimeiphone.com\/?guid=23586f1003262870c727c47ce80f65da"},"modified":"2024-12-18T03:42:01","modified_gmt":"2024-12-18T03:42:01","slug":"thats-dancing-in-kiss-me-kate","status":"publish","type":"post","link":"https:\/\/gamefootballmobileanimeiphone.com\/index.php\/2024\/12\/16\/thats-dancing-in-kiss-me-kate\/","title":{"rendered":"That’s Dancing in Kiss Me Kate!"},"content":{"rendered":"

Kiss Me Kate <\/i>(1953) boasts a Cole Porter score full of familiar tunes and was made by MGM during the era when the studio was known for its lavish musicals. And yet, it was considered a box office failure when first released and remains largely forgotten today. That’s a shame because it features some truly spectacular musical numbers featuring the dancing of Ann Miller, Tommy Rall, Bobby Van, Bob Fosse, and Carol Haney. Some of those names may be unfamiliar if you’re not a aficionado of great dancers. But their jaw-dropping talents make Kiss Me Kate<\/i> worth your time despite a creaky, overly-familiar plot.<\/p>\n

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Howard Keel singing to Kathryn Grayson.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

For the record, the story has producer\/ star Fred Graham (Howard Keel) mounting a stage musical of The Taming of the Shrew<\/i> starring his ex-wife Lilli (Kathryn Grayson) as Katherine and himself as Petruchio. Lilli is engaged to a Texan millionaire and Fred is interested in a pretty dancer, but it’s clear that the divorced couple still harbor romantic feelings toward each other.<\/div>\n

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This unoriginal plot gets a boost from the side stories, especially one featuring a couple of thugs (wonderfully played by Keenan Wynn and James Whitmore) who believe Fred owes their gangster boss money. Fred convinces the duo that he can’t pay if the musical shuts down and that Lilli is threatening to leave the production. Thus, the thugs have to ensure that Lilli remains with the show!<\/div>\n
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Soprano Kathryn Grayson signed with MGM in 1940 at the age of 18. She had appeared in a number of hit movies (e.g.,  Anchors Aweigh<\/i>) before headlining the studio’s highly successful remake of Showboat<\/i> in 1951. Kiss Me Kate<\/i> pairs her with Showboat <\/i>co-star Howard Keel. Their duets on Porter classics like “So in Love” and “Wunderbar” are pleasant, but Grayson’s finest hour is her no holds barred rendition of “I Hate Men.” As she punctuates the lyrics, she repeatedly slams down a metal goblet to emphasize her point–and dramatically sweeps the surface of a table at the finish. <\/div>\n
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Ann Miller.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

Despite Grayson’s triumph, the best parts of Kiss Me Kate <\/i>are the dance numbers. Ann Miller kicks off the hoofing with an energetic “Too Darn Hot” (though it seems tossed into the plot at the last minute). Later, she and Tommy Rall dance an acrobatic duet to “Why Can’t You Behave.” However, the film’s highlight is “From This Moment On.” which features Miller, Rall, Bob Fosse, Carol Haney, Bobby Van, and Jeanne Coyne (ex-wife of both Gene Kelly and Stanley Donen). Fred Astaire’s frequent collaborator, Hermes Pan, choreographed all of Kiss Me Kate<\/i>‘s dances except for the Fosse-Haney duet near the end of “From This Moment On.” It showcases what would become Fosse’s trademarks and sizzles with sexuality and flair.<\/div>\n

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By the way, if you watch Kiss Me Kate<\/i> and wonder why people and objects keep moving toward the camera, it’s because the film was shot in 3D. It’s a minor distraction, though. If you enjoy stylish, energetic dancing, then Kiss Me Kate<\/i> is a must-watch. <\/div>\n
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Here is the “From This Moment On” number, which we’re currently featuring on the Cafe’s YouTube channel:<\/div>\n
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