{"id":152067,"date":"2024-12-30T23:21:10","date_gmt":"2024-12-30T23:21:10","guid":{"rendered":"https:\/\/www.hollywoodintoto.com\/?p=2042193"},"modified":"2024-12-30T23:21:10","modified_gmt":"2024-12-30T23:21:10","slug":"the-very-best-and-worst-tv-shows-of-2024","status":"publish","type":"post","link":"https:\/\/gamefootballmobileanimeiphone.com\/index.php\/2024\/12\/30\/the-very-best-and-worst-tv-shows-of-2024\/","title":{"rendered":"The Very Best (and Worst) TV Shows of 2024"},"content":{"rendered":"

In honor of the 2024 Summer Olympics, let’s grade the year’s best and brightest TV shows on a medal-winning curve.<\/strong><\/p>\n

Gold Medalists<\/h2>\n

The gold medal shows could be in any order and I\u2019ve switched them around over the year depending on my mood (sometimes \u201cPenguin\u201d is at the top, sometimes \u201cFallout\u201d). \\<\/p>\n

\u201cExpats\u201d \u2014 Prime<\/strong><\/p>\n

The suburb source material \u201cThe Expatriates: A Novel\u201d by Janice Y.K. Lee is part of what makes this show so good. Add well-rendered characters played by a talented cast and you have a knockout combination.<\/p>\n

There’s Margaret (Nicole Kidman), a woman who has suddenly tragically lost her youngest child. The recently hired nanny Mercy (Ji-young Yoo) in an instant of distraction puts in motion the unfolding tragedy. The long-suffering husband Clarke (Brian Tee) who reaches out to faith to help balance his life.<\/p>\n

Consider the neighbor Hillary Starr (Sarayu Blue) who is wrestling with an alcoholic and unfaithful husband David Starr (Jack Houston) and her choice not to have children.<\/p>\n

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This show is about the challenge of raising children, dealing with tragedy and the choice some make not to have children in the first place. Set the story anywhere on earth, and it would be a compelling drama. The Hong Kong backdrop elevates “Expats” into the sublime.<\/p>\n

The city is a character of consequence, from the busy streets, the rain and the traffic. It’s amazing when the show’s directors simply turn the cameras on Hong Kong itself and let it roll.<\/p>\n

\u201cTokyo Vice\u201d \u2014 HBO<\/strong><\/p>\n

The second and final season of producer Michael Mann’s (“Miami Vice,” “Heat”) show based on an American journalist working as a crime reporter in ’90s-era Tokyo proved stellar. First of all, the actual reporting: Yakuza crime lords coming to the U.S. and buying organ transplants still is shocking.<\/p>\n

This was mostly livers due to the heavy use of traditionally done tattoo work and drinking. That in itself is just bonkers.<\/p>\n

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Second, the relationship between Joshua Lawrence “Jake” Adelstein (Ansel Elgort, who can now speak fluent Japanese, by the way) and his contact on the Tokyo Vice Squad Hiroto Katagiri (Ken Watanabe) formed into a real partnership this season.<\/p>\n

Samatha San (Rachel Keller) and her relationship with a rising Yakuza lieutenant Sato (Sh\u00f4 Kasamatsu) continued to evolve in an interesting fashion, but it\u2019s the sheer badass terror of rival Yakuza boss Tozawa (Ayumi Tanida) that makes this show stand out this year.<\/p>\n

\u201cBabylon Berlin\u201d \u2014 MhZ Choice<\/strong><\/p>\n

I learned that Jeff Goldblum and his wife love \u201cBabylon Berlin\u201d and cosplay characters from that time period. I couldn’t agree more. It\u2019s a fantastic show that is still hard to explain.<\/p>\n

Yes, it\u2019s about Weimar Germany (pre-WWII) and the rise of Hitler and the Nazi party, but it\u2019s so much more than that. “Babylon Berlin” is a love letter to that time period and to the German city. It’s a gritty detective series with interesting cases and clues to follow. Plus, it boasts great acting and writing.<\/p>\n

It\u2019s \u201cSlow Horses\u201d set in Berlin in the 1930s. It\u2019s that good albeit with less humor, but the Germans aren\u2019t exactly known for their comedy chops.<\/p>\n

\u201cFallout\u201d \u2014 Prime<\/strong><\/p>\n

The last video game I played was \u201cL.A. Noir\u201d on a PS4. I got stuck and didn\u2019t bother to find a cheat code.<\/p>\n

I\u2019ve never played any of the \u201cFallout\u201d titles and knew next to nothing about this show before it dropped. I understand it had to do something with zombies and a post-apocalyptic landscape in an AtomPunk universe.<\/p>\n

That’s all.<\/p>\n

Oh, and of course I knew the leads: Elle Purnell (“Bittersweet,” “Yellow Jackets”) Walton Goggins (“Justified”), and Kyle MacLachlan (“Twin Peaks”). I couldn\u2019t have been more surprised by how much I loved this show. I\u2019m sure I missed a ton of Easter eggs, but “Fallout” isn\u2019t just for insiders.<\/p>\n

The show boasts fantastic world building, interesting characters and a story lifted straight out of \u201cCatch-22.\u201d It helps that Joseph Heller’s classic is one of my favorite books.<\/p>\n

\u201cThe Penguin\u201d \u2014 HBO<\/strong><\/p>\n

Much has been written about this excellent show, but the only thing that brings it in at the fifth slot is one nagging question. How much of its brilliance is built upon “The Sopranos” legacy?<\/p>\n

The answer? Quite a lot. That doesn\u2019t detract all that much, but I did feel I was watching a \u201cSopranos\u201d spinoff more than a \u201cBatman\u201d project.<\/p>\n

Silver Medalists<\/h2>\n

\u201cThe Three Body Problem\u201d \u2014 Netflix<\/strong><\/p>\n

I wasn\u2019t a big fan of the book, certainly not enough to read the subsequent two novels.<\/p>\n

I found the writing tedious, the math over my head and the story a bit boring. Unlike \u201cExpats’\u201d superior source material, the Netflix series took everything good about the book and elevated it to the next level.<\/p>\n

They managed do something that hasn\u2019t been done since the \u201cAlien” franchise. The show creators made aliens actually scary. Which is even more remarkable when you consider we never actually see the creatures in question, only their human avatars.<\/p>\n

The books and show have something important to say about technology and progress and how innovative humans can be when we put our minds to something. That’s all fine and good, but the show works because it has a depth of emotion. We come to care about the people involved (flaws and all) and that is what turns the rather bland source material into something remarkable.<\/p>\n

\u201cMonsieur Spade\u201d \u2014 AMC<\/strong><\/p>\n

I loved this show, and I hope we’ll get a second season.<\/p>\n

Clive Owen plays Sam Spade, an American detective now living in the South of France. He\u2019s wealthy, living in peace (having inherited a French estate from his late, beloved wife) when his past shows up to haunt him. Literally in the form of a small child named Teresa (Cara Bossom) who is the daughter of Brigid O’Shaughnessy.<\/p>\n

Yup, that’s Brigid from Spade\u2019s most famous case, \u201cThe Maltese Falcon.\u201d It only gets better from there as the story deftly incorporates the French war in Algeria and the questionable use of Special Forces. You might think none of that can work together, but it does so brilliantly.<\/p>\n

\u201cThe Diplomat\u201d \u2014 Netflix<\/strong><\/p>\n

Did you know there are TWO shows titled \u201cThe Diplomat?\u201d Yup. One is on Netflix and the other is on Prime. I like both, but the Netflix series with Keri Russell is by far the superior series.<\/p>\n

Like \u201cSlow Horses\u201d on Apple TV+ \u201cThe Diplomat\u201d finds that perfect balance between humor and drama to keep it light but interesting. Back in the days we had shows like \u201cHart to Hart,\u201d \u201cMoonlighting\u201d and \u201cRemington Steele\u201d that walked this same line. If you haven\u2019t watched an episode I encourage you to check it out.<\/p>\n

\u201cDisclaimer\u201d \u2014 Apple+<\/strong><\/p>\n

This is one of those \u201clove or hate\u201d kind of shows and I\u2019m in the \u201clove it\u201d camp. I\u2019m going to have to drop some major spoilers here for this one so stop reading\u2026yes? Yes.<\/p>\n

Okay first of all a shout out to Kevin Kline. Welcome back, sir! Damn, you\u2019ve been missed and you did a fantastic job. Emmy nod at the very least.<\/p>\n

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I never “got” Sacha Baron Cohen, but he can act and hopefully this opens up opportunities for him. Cate Blanchett is phenomenal. The battle may be between her and Nicole Kidman of \u201cExpats\u201d fame for the Best Actress Emmy.<\/p>\n

As you can see, the acting in this is amazing from Leila George (Catherine) to Louis Partridge (Jonathan Brigstocke) on down the line. The story itself is just as good. I think using sexual assault as the foundation of a story is always problematic but this was well done and the message proved very powerful.<\/p>\n

\u201cBad Monkey\u201d \u2014 AppleTV+<\/strong><\/p>\n

The tenth spot might be a little high for this show. Is it a Top Ten show of 2024? Maybe. What it is, though, is a perfectly enjoyable show with lots of shots of warm water and the Florida Keys. It’s perfect viewing during a dull, drab and dry Colorado winter.<\/p>\n

And Vince Vaughn is still funny.<\/p>\n

Bronze Medalists<\/h2>\n

\u201cSupercell\u201d \u2014 Netflix<\/strong><\/p>\n

The series follows Average people in London who sport superpowers. It’s both very interesting and entertaining.<\/p>\n

\u201cSupersex\u201d \u2014 Netflix<\/strong><\/p>\n

The title alone is going to be a barrier for some, along with the subject matter. It’s the life of pornstar Rocco Siffredi. That it has sexually graphic moments will give many watching the vapors. Those who stay with it are going to be pleasantly surprised.<\/p>\n

It’s a tender and sad story of a poor Italian family living in a small coastal town and the two brothers who do their best to get out of their circumstances. The show turns out to have more to say about love, family and brotherhood than about sex and porn.<\/p>\n

\u201cRipley\u201d \u2014 Netflix<\/strong><\/p>\n

I haven’t read the books by Patricia Highsmith and didn\u2019t like the movie adaptation with Matt Damon, Gwyneth Paltrow, and Jude Law. I had zero interest in this when it dropped on Netflix.<\/p>\n

Two things changed my mind: Andrew Scott (“Fleabag,” “Sherlock”) is a fantastic actor and he\u2019s just fascinating to watch tearing into this dual role of being both Dickie Greenleaf and Tim Ripley. Plus, the show is  an absolute love letter to Italy. The black and white photography highlights everything amazing about Italian architecture.<\/p>\n

\u201cRings of Power\u201d \u2014 Prime<\/strong><\/p>\n

It\u2019s interesting enough that I watch it but if the show never came back I probably wouldn\u2019t miss it. I\u2019m not sure why. It\u2019s done well and the acting and writing are solid, but it just doesn\u2019t have the hook like the original “Lord of the Rings” does.<\/p>\n

It suffers from the same problem I have with the \u201cStar Wars\u201d prequels and sequels\u2026we know the main story so this feels ancillary.<\/p>\n

\u201cHouse of the Dragon\u201d \u2014 HBO<\/strong><\/p>\n

This is another show I feel like I should like more and wouldn’t miss if it were canceled.<\/p>\n

Medalist Hopefuls<\/h2>\n

\u201cAvatar: The Last Airbender\u201d \u2014 Netflix<\/strong><\/p>\n

They did a fantastic job all the way around and I hope a whole new generation falls in love with the story but for me nothing can ever touch the brilliant animated series. It’s the best “Star Wars”-type story we\u2019ve had since “Star Wars.”<\/p>\n

\u201cThe Lincoln Lawyer\u201d \u2014 Netflix<\/strong><\/p>\n

The third season proved its weakest so far. It seems like they\u2019re running out of steam but “Lawyer” retains the chemistry, fun and food to keep me watching. I’m still looking forward to next season.<\/p>\n

\u201cIndustry\u201d \u2014 HBO<\/strong><\/p>\n

I\u2019ve written a ton about \u201cIndustry\u201d over its past two seasons and genuinely like this show, but this season proved the least deserving of praise. There are others who thought it was its best season and have made compelling cases (mostly its focus on women this season) but this show cooks best when there\u2019s at least one male protagonist you can root against.<\/p>\n

See “Billions” and “Succession” as prime examples.<\/p>\n

\u201cKaos\u201d \u2014 Netflix<\/strong><\/p>\n

Unfortunately, this brilliant show with the aforementioned Goldblum didn\u2019t get a second season at Netflix. I get it. “Kaos” was weird, set in a modern-day Grecian town and the premise was the Pantheon is very real. High concept comedy\/dramas have a limited audience appeal from the get go, but Goldblum as Zeus was so damn funny and perfect that it\u2019s a shame we won’t get more.<\/p>\n

\u201cThe Boys\u201d \u2014 Prime<\/strong><\/p>\n

The worst season so far but still had a few moments of its old brilliance to make it into the Top Twenty. You can tell they need to wrap it up next season.<\/p>\n

The Worst TV Shows of 2024<\/h2>\n

3. \u201cA Man In Full\u201d \u2014 Netflix<\/strong><\/p>\n

This six-part miniseries had promise but too many fatal flaws. I would love to see the same team (including Regina King and David E. Kelly) tackle Wolfe’s “The Bonfire of the Vanities.” That’s one of the most poorly cast movies in history up there with “Interview with the Vampire” and “Cold Mountain.”<\/p>\n

How “Full” failed (spoilers ahead) can be primarily attributed to the acting. I love Diane Lane but as Martha Croker I honestly thought she was playing Peepgrass (Tom Pelphrey), a separate character in the yarn, the entire time. I didn’t buy her sudden, wrathful vindictiveness. It came out of nowhere and made the ending preposterous.<\/p>\n

Tom Wolfe was a great author until he lost his mind, but this was a mess of a book (structurally and thematically) and the last one of his that I read. I got that in the end the racist judge held to the law (although I still don’t understand the Defense’s argument; his car was being towed if he lets it go nothing happens) and I liked how Crocker (Jeff Daniels) did support Conrad (Jon Michael Hill) in the end. The miniseries is still as messy as the source material.<\/p>\n

2. \u201cReacher\u201d \u2014 Prime<\/strong><\/p>\n

The late standup Mitch Hedberg had a funny bit about how a comedian had to start strong and end strong. You couldn’t be like pancakes — exciting at first but by the end you\u2019re sick of them.<\/p>\n

\u201cReacher\u201d is like pancakes with too much cheap maple syrup. The first few episodes were exciting and I really do like Alan Ritchson as the title character. The cast is fine, too, but the stories aren’t strong and always end badly.<\/p>\n

That captured season one, but season two grew even worse. I\u2019m starting to wonder about the source material or the show runners or both. If season three can\u2019t stick the landing I\u2019m done with this series.<\/p>\n

1. \u201cTrue Detective: Night Country\u201d \u2014 HBO<\/strong><\/p>\n

Major spoilers ahead…<\/p>\n

The first five episodes of the critically-hailed series proved interesting. They offered a fair amount of tension, great locations and plenty of heavy lifting done by the amazing Jodie Foster. The season finale was a full-on disaster and retroactively ruined any good will gathered during the previous episodes.<\/p>\n

It’s corporate propaganda masquerading as art (and from HBO) but for the second time, the first being the godawful “The Head.<\/p>\n

That show also featured a group of scientists working on the ice who turned out to be the baddies.<\/p>\n

Yup.<\/p>\n

White male scientists are the scourge of society: collecting ice core samples, working on climate models, oh and did I mention they’re white, oh and did I mention they’re men. They’re willing to kill and fudge data because you know scientists… they’ve been evil since Dr. Frankenstein.<\/p>\n

I hated \u201cThe Head,\u201d from its dumb name to the ridiculous notion of what living on the ice at the South Pole in the middle of winter is like. The research station feels like a Vegas hotel and the characters run around outside with just jackets and no head coverings because you know it\u2019s not THAT cold (actually it can get to a balmy -81\u00ba in the winter) to it constantly storming (with lightning) like it\u2019s a gloomy coastal New England town.<\/p>\n

What I despise the most about \u201cThe Head\u201d is how it plays into corporate fantasies about scientists (and yeah spoilers ahead \u2014 I wish I could spoil this whole show) who will do anything for research funding, fame and fortune.<\/p>\n

Really?<\/p>\n

You know because at the end of the day there isn\u2019t much of a difference between a Day Trader on Wall Street and a scientist who has dedicated his or her life to producing new knowledge for humanity.
\nClearly they have a similar set of ethics, right?<\/p>\n

HBO do better! HBO did not do better.<\/p>\n

Everything that could be said of “The Head” can also be said of “Night Country” even down to a stupid name.
\nLook putting aside how botched a marketing job it was to attach this to the “True Detective” franchise (strip the dumb spiral thing out and it would essentially be the same show it was). What made it so awful in the end was just how transparent it was as an anti-climate change piece of propaganda.<\/p>\n

Imagine the creative meeting at HBO…<\/p>\n

“Okay, we’re getting paid a lot of money by the extraction industry to come up with something… anybody?”
\n“What if we make a team of climate scientists the bad guys, we can have them be all male and white, and the heroes, we can have them be Indigenous women … the scientists will all be greedy murderers and willing to lie about data. Does that work?”<\/p>\n

HBO now has two anti-climate science shows under its belt.<\/p>\n

The post The Very Best (and Worst) TV Shows of 2024<\/a> appeared first on Hollywood in Toto<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"

In honor of the 2024 Summer Olympics, let\u2019s grade the year\u2019s best and brightest TV shows on a medal-winning curve. Gold Medalists The gold medal shows could be in any order and I\u2019ve switched them around over the year depending on my mood (sometimes \u201cPenguin\u201d is at the top, sometimes \u201cFallout\u201d). \\ \u201cExpats\u201d \u2014 Prime \u2026<\/p>\n

The post The Very Best (and Worst) TV Shows of 2024<\/a> appeared first on Hollywood in 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