{"id":34847,"date":"2023-10-30T12:33:45","date_gmt":"2023-10-30T12:33:45","guid":{"rendered":"https:\/\/wegotthiscovered.com\/?p=1614313"},"modified":"2023-10-30T12:33:45","modified_gmt":"2023-10-30T12:33:45","slug":"the-vault-tracks-from-1989-taylors-version-ranked-from-keep-it-to-pass-me-my-ray-bans-and-red-lipstick","status":"publish","type":"post","link":"https:\/\/gamefootballmobileanimeiphone.com\/index.php\/2023\/10\/30\/the-vault-tracks-from-1989-taylors-version-ranked-from-keep-it-to-pass-me-my-ray-bans-and-red-lipstick\/","title":{"rendered":"The \u2018Vault\u2019 tracks from \u20181989 (Taylor\u2019s Version)\u2019, ranked from \u2018Keep It\u2019 to \u2018Pass Me My Ray-Bans and Red Lipstick\u2019"},"content":{"rendered":"
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The album 1989 <\/em>made Taylor Swift<\/a><\/strong> a mega-star and a songwriting force to be reckoned with, marking a multiple Grammy-winning<\/a> transition from the all-American country darling of her late teens and early twenties to the visionary all-rounder she eventually became. <\/p>\n

It was a massive album culturally, both for its content and its context, whose wide-reaching influence is now being felt in the music produced by the new generation of artists the likes of Sabrina Carpenter, Olivia Rodrigo, and Gracie Abrams. It put Taylor Swift on the map in a way she hadn’t quite managed before<\/a> and made her the most talked-about celebrity in the media for a good year. <\/p>\n

For all those reasons, there was a lot of pressure for the re-recording of 1989 <\/em>to rise to its original counterpart’s legacy, honoring it and furthering it. It was an album that, unlike every other “Taylor’s Version” album before it, most of the world had previously listened to and would have an opinion about. <\/p>\n

The re-recordings of the original setlist are always contentious<\/a>, with the nostalgic section of fans latching on to every little change and resenting it. However, it’s the “Vault” tracks that usually smooth ruffled feathers and get everyone excited. <\/p>\n

Now, new Taylor music is always a great thing, but the five newly released tracks rejected from 1989 <\/em>in 2014 didn’t have quite the impact of Fearless (Taylor’s Version)<\/em>‘s “Mr. Perfectly Fine,” Red (Taylor’s Version)<\/em>‘s “All Too Well (10 Minutes Version),” or even Speak Now (Taylor’s Version)<\/em>‘s “I Can See You”. <\/p>\n

All five are classic Taylor songs with great build-ups and clever lyrics, but their production and structure feel too familiar — probably a by-product of releasing seven albums in three years. They’re all good, because when Taylor sticks to her winning formula, she can’t possibly go wrong<\/a>, but they lack any sort of novelty. Still, we’re always happy to have more music to scream the lyrics to in the shower or on the road. <\/p>\n

5. “Say Don’t Go” \u2014 Been there, done that<\/h2>\n
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